Chalice by Robin McKinley |
Mirasol is just a simple beekeeper who can feel the earthlines of her demesne a little bit more than most - until the out-of-control Master of Willowlands and his inexperienced Chalice die tragically. Willowlands and its earthlines are thrown into turmoil, taking Mirasol with them, and the last thing she expects is to be told that she has been chosen to be the next Chalice. Fueled by a desperate need to save her demesne, Mirasol tries to fulfill her role with no one to train her in her duties as Chalice or teach her the ways of the Circle. Then the old Master's younger brother, who should have been Master instead, returns to succeed him. But the new Master has been with the priests of Fire for seven years and is now too far into Fire to live among ordinary people; he may not even be human anymore. The only way Mirasol can save her demesne, and the only way she can save herself, is to bind Willowlands, its people, and its disintegrating Circle to a new Master, one who is so much a part of Fire that his touch burns human skin.
Unlike most of what I read these days, this book is mainly exposition and long, beautifully crafted descriptions, and has less action and dialogue than I'm used to. That's far from bad, though. It was relaxing to read and flowed easily, and the imagery was deliciously vibrant. The numerous descriptions of a hundred types of honey were so vivid and appealing, during the entire four days I spent reading Chalice, I constantly craved it. I still get hankerings every once in a while; for example, last week I spent half an hour stirring some into a glass of cold milk (because I wanted it cold, that's why). And right now, I could really go for some coconut pancakes with lavender honey. Do they even make lavender honey? They should. It sounds heavenly. Also, the expository sections epitomized great grammar and were chock-full of splendid vocabulary. I had to look up a good number of words (mainly adjectives, I seem to recall, not that it matters), but I'm pretty sure Robin McKinley increased my IQ by about a million points. The writing was very formal, too, as was the dialogue (there may not have been a whole lot, but it was there), which also made me feel smart and sophisticated. And feeling smart and sophisticated is always fun.
This is one of those stories that, at random points throughout the novel, led me to sit back and try to comprehend how the author thought of it. I really don't know. It is such a unique storyline, and so complicated, with all these breathtaking little nuances, and I just have no idea how Robin McKinley came to create it. And then, of course, she put it together gorgeously, and populated it with incredibly real characters.
Mirasol, first of all, is a wonderful character. Her task seems almost hopeless, and she struggles with it, but she does not give up. And despite the pressure from the rest of the Circle for her to conform to traditional Chalice convention, she stays true to herself and her beliefs, and paves her own way as her own Chalice. She is incredibly strong. The Master is also spectacularly designed; the reader cheers for him as he fights to regain his humanity and keep his demesne together, and feels for him as he grapples with the fear that he will and should fail. Even the Grand Seneschal is a compelling character, and it is never obvious whose side he's on.
There are elements of fantasy and historical fiction in Chalice, though they are both subtle. Even more subtle is the element of romance (which you all know I love). It's so subtle, it can be rounded down to being not even there. Only I could pull something like that out of the book. From the beginning, I wanted Mirasol and the Master to be together, just because I wanted somebody to be together and they were the first possible couple I came across. But that idea was so barely touched on, and so taboo in their society, that I couldn't decide whether or not it would actually be part of the story. I know now, of course. And guess what? I'm not telling!
Despite the formal, relaxed, expository composition of this novel, it does have a very riveting climax. I couldn't put the book down near the end, there. Obviously, I hoped for a happy ending, but as I approached the climax, it was impossible for me to tell if there would be one. (And once again, I'm not telling!)
Chalice is not part of a series, and the end does not leave room for a second, but Robin McKinley has written quite a few other books, some of which are award-winning. I loved Chalice, and I , for one, cannot wait to read more of her books. Her writing is positively scrumptious.
Thanks go to the marvelous Lily, who read this because I wanted her to, even though it's not really her style. Like all the books I read, she thought it was "weird," though I do believe she enjoyed it at least a little. As far as I can tell, she views all books that aren't strictly fiction of nonfiction as weird. Which I find hilarious. In general, Lily is hilarious. Love you, my dear!
Recommendation: Anyone who has an appreciation for well-crafted writing, or beautiful and unique societies. Anyone who wants to improve his or her vocabulary, and have a delightful time doing so. Anyone who likes to be surprised, and doesn't like to be able to predict everything. Not people who don't like long descriptions, or need excessive action and dialogue. Though the content is suitable for all ages (in my opinion), I don't recommend this book to preteens or younger, unless we're talking about a spelling bee champion or something. I think fifteen, or ambitious fourteen, is a good cut-off age. In my experience, anyone younger could get easily frustrated with the advanced vocabulary and complex writing structure. Of course, they would probably get bored from the lack of action first. But Chalice is really good, so if you feel you fit these criteria, you should definitely check it out.